Stunning, breathtakingly beautiful, and unparalleled in programing and performance, PNB’s November program, Kylian + Pite, was one not to be missed. It is easily the most memorable (non-full-length ballet) program in the almost 20 years that I have been viewing and reviewing the company.
Huge kudos to Peter Boal, ballet masters all, and the generous supporters that made the PNB premieres possible – Forgotten Land (Kylian) and Emergence (Pite). Both ballets were utterly unforgettable, not to mention the gorgeous music of the PNB Orchestra.
In terms of performance, here are just a few highlights –
Foster and Mullin as the insect creatures emerging from the depths in Crystal Pite’s Emergence
- Orza, Porretta, Bold, Gaines, and Bartee, as well as every single principal female — in anything
- Samuelson breaking out and through in everything
- Actually, all the petite mort dancers, who lived and breathed the ballet’s roles
- In Sechs Tänze, the Imler, Merchant, Foster, Kitchens crew – mesmerizing
- Forgotten Land – every single dancer made that piece come alive – haunting with a capital “H,” the dancers were aided in their other-worldliness by the literal and exquisite East Anglia backdrop
- Week 2, virtually all the corps dancers (there were a few that needed a bit more confidence, if not rehearsal) in first-time roles – Bravo, Brava, Bravi, Brave!!!!!
This program, quite simply, will live in PNB’s history as one of its finest. Of course, there’s always 2014-2015.
image: courtesy PNB